station eleven criticism
The primary example of this is Shakespeare, specifically King It may become antiapocalyptic in its refusal of the transition from the tribulation to the millennium (2000: 410, 412). A Pulitzer Prize winner in 2015 and finalist for criticism in 2013 and 2014, she has won various awards for criticism and feature writing. Instead of examining all the light/dark political dynamics of rebuilding a post-catastrophe society, it concedes that capturing mass trauma is impossible and potentially unhelpful. You know, it's interesting. Station Eleven is a massive collaborative effort, but much of the series warmth is shaped by three key visual choices in its first episode. I remember watching that episode and I remember being absolutely struck by that line. The Museum soon becomes a sanctuary where people go to pray, for Station Elevens post-apocalyptic characters clin[g] to the hope that the world they remembered could be restored (Mandel, 2014: 213), just like the people of the Undersea in the comic Station Eleven, penned by Miranda, the title of which signals its status as a mise-en-abyme text.9 Thus, children at school are taught about the way things were, although these are just abstractions and essentially science fiction to them (Mandel, 2014: 269, 262, 270). Emily St. John Mandel. Its one of the most profound meditations on love, loss, grief, and community Ive ever seen. Buell, F 2013 Post-Apocalypse: A New U.S. Rather, during the first traumatic months spent walking on the road after the catastrophe, Jeevans litany of biographical facts unravels and is replaced by strange fragments (Mandel, 2014: 194). Something that came up for me as I was writing this book was how incredibly local your world would become. Mousoutzanis, A 2014 Fin-de-Sicle Fictions, 1890s1990s: Apocalypse, Technoscience, Empire. She had ample experience to draw from. Available at: http://www.nytimes.com/2014/09/06/books/station-eleven-joins-falls-crop-of-dystopian-novels.html [Last accessed 24 October 2018]. Toronto: University of Toronto Press. Available at: https://www.washingtonpost.com/news/arts-and-entertainment/wp/2014/10/15/sorry-emily-st-john-mandel-resistance-is-futile/ [Last accessed 24 October 2018]. Whats on the other side? She was the leader of a band of survivors not because she was a ruthless martial arts expert but because she continued to write symphonies, and understood that music and theater fulfill a deep-seated need. This passage is a clear intertextual reference to McCarthys The Road, whose world is complete with travellers with shell-shocked expressions, children walking covered in blankets, people being killed for their backpacks contents, and a hungry dog. So I would want a globe, just to remember that there was a world out there. There are holes in the story, but that didnt bother me because Station Eleven felt almost immediately like an antidote to every other post-apocalyptic tale I have ever seen. Chute, H L 2016 Disaster Drawn: Visual Witness, Comics, and Documentary Form. Among the 1% left Himesh Patel and Matilda Lawler in Station Eleven. DOI: http://doi.org/10.2307/827840. Questioning the passivity of apocalyptic determinism, Adam, the protagonist of the nineteenth-century narrative, reminds us that history admits no rules; only outcomes and encourages us to believe in the possibility of a better world than one culminating in an apocalyptic dystopian future (Mitchell, 2004: 528). Told in a relentless stream of disclosure, the story swirls around two troubled siblings, an addict named Paul and his absurdly gorgeous half sister, Vincent. Similarly, Bertis, a fanatic sniper in Player Ones peak oil post-apocalyptic scenario, believes that the pre-apocalyptic world is dying and corrupt and about to be renewed through divine intervention (Coupland, [2010] 2011: 129). | Privacy Policy |, Publication Ethics and Malpractice Statement, http://www.nytimes.com/2014/09/06/books/station-eleven-joins-falls-crop-of-dystopian-novels.html, http://www.theglobeandmail.com/arts/books-and-media/book-reviews/station-eleven-offers-suspense-and-science-fiction-but-it-is-undoubtedly-a-literary-work/article20577909/, https://www.washingtonpost.com/news/arts-and-entertainment/wp/2014/10/15/sorry-emily-st-john-mandel-resistance-is-futile/, http://doi.org/10.1080/00111619.2017.1369386, https://tetheredbyletters.com/when-the-dust-settles-an-interview-with-emily-st-john-mandel/, http://www.publicbooks.org/the-post-apocalyptic-present/, https://www.booklistonline.com/Station-Eleven-Emily-St-John-Mandel/pid=6862248, https://www.reddit.com/r/books/comments/38e15y/hi_im_emily_st_john_mandel_author_of_station/, http://www.tor.com/2014/09/12/a-conversation-with-emily-st-john-mandel/, Special Collection: Station Eleven and Twenty-First-Century Writing, For the sake of simplicity, in what follows contemporary post-apocalyptic novel refers to the subject of this article, post-apocalyptic fictions written by non-SF authors. In the very early days, for example, Jeevan and Kirsten go round a supermarket that is full of produce but empty of people. The bulk of the series is set twenty years after a flu pandemic brought human civilization as we know it to an end. This critique of teleology is reflected in Station Elevens narrative structure. Station Eleven is a slow burn. Yet, just like The Road, Station Eleven articulates a critical temporality that subverts the utopian teleology of apocalyptic logic. Last year, as we all scrambled to create some sort of context for the COVID-19 pandemic, Mandel got all sorts of what does it feel to have predicted the future? questions, which seemed very unfair. So yeah, there is a comic book that's drawn by a character in the present day. WebStation Eleven is an American post-apocalyptic dystopian fiction miniseries created by Patrick Somerville based on the 2014 novel of the same name by Emily St. John Mandel.The miniseries premiered on HBO Max on December 16, 2021, and ran for ten episodes until January 13, 2022.. A finalist for both the National Book Award and the PEN/Faulkner, Emily St. John Mandels best-selling Station Eleven is set in the eerie days of civilizations collapse. Station Elevens critique of traditional apocalyptic logic is most evident in the figure of the prophet Tyler through whom Mandel self-reflexively appropriates religious apocalyptic tropes to subvert them from within.6 Tyler, the son of Arthur Leander, the character who links the texts pre-apocalyptic and post-apocalyptic narrative strands, is only a child when the pandemic hits the world, but grows up to be the charismatic leader of a violent doomsday cult. Frankly I was grateful to skip all the store-looting and scavenging we are inevitably treated to in these kinds of tales. Station Eleven is going to struggle to find an audience this winter. For me, its what Ive taken to calling the series present the scenes set around a flu pandemic that wipes out 99% of the worlds population that vibrate with acute emotional energy. This pattern comprises panic, dissolution of ), Station Eleven celebrates the beauty of the pre-apocalyptic world and mourns its loss. As the season unfurled, though, I found myself frustrated by a structure that, roughly speaking, toggled between the pandemics onset and a time, 20 years on, in which Kirsten and her Traveling Symphony have forged a new society through the cyclical performance of plays. Time, Paul Ricoeur contends, becomes human time to the extent that it is organized after the manner of a narrative (1984: 3). The series creator explains why. ), entropy reigns. The goal of traditional apocalyptic logic is to order time and make it intelligible, by disclosing that the whole course of human history is tending towards a final resolution which will make sense of everything that happened before. The series creator explains why, Station Eleven, like the Shakespeare that sustains it, is something of a miracle, Unlike Andor, Mandalorian is going all in on Star Wars lore. It wasnt like that. Feb. 26A BIG QUESTION keeps popping up on Manchester community groups on Facebook: What happened to the 7-Eleven gas stations on South Main and Maple streets? But then why did the One Ring choose Frodo? I did find it hilarious that, during the winter flashback, the roads were plowed, a sleight of hand Somerville admits was necessary for production to continue. Perhaps vessels are setting out even now, travelling towards or away from him, steered by sailors armed with maps and knowledge of the stars, driven by need or perhaps simply by curiosity: whatever became of the countries on the other side? Yet, significantly, [T]he road seemed dangerous. The first few episodes look beautiful but move at a stately pace. Furthermore, teleology entails determinism, which compromises the possibility of choices and ethics. Her work has appeared in numerous anthologies, including The Best American Mystery WebA summary of Part 7 in Emily St. John Mandel's Station Eleven. Twentieth Century Literature, 46(4): 40533. Previously she was assistant managing editor for arts and entertainment following a 12-year stint as television critic and senior culture editor. It received critical acclaim and was nominated for seven Primetime Apocalyptic writings, ever since their religious origins, have flourished at times of crisis and [I]t is to this disquieting sense of disorder that the apocalyptic myth speaks, reasserting teleological design and cosmic meaning (Rosen, 2008: xviii). Unlike with The Leftovers, Station Eleven was billed as a mini-series from the beginning, and Somerville doesn't seem interested in continuing the story. Art and literature can, the series argues, offer some safety rails, some moments of connection. As she puts it, I assume that there would be a period of utter chaos immediately after an apocalyptic event, but I dont find it credible that that period would last forever (Griffith, 2015: n.pag.). As Rachel explains, the sniper is deploying poetic devices, such as rhythm and regularity of speech, in order to have a stronger impact and to quickly and effectively indoctrinate (Coupland, [2010] 2011: 1878). After all, McCarthys text which depicts a father and sons journey in a post-apocalyptic US where, after an unspecified catastrophe, everything [is] dead to the root (McCarthy, [2006] 2007: 21) is one of the most famous examples of the contemporary body of post-apocalyptic novels as it won the 2007 Pulitzer Prize for Fiction. Station Eleven features explicit intertextual references to biblical apocalyptic narratives, from the Flood, in Genesis, to Revelation. Station Eleven. ow deeply strange it is, how deeply unsettling, to be able to compare and contrast a fictional pandemic with the real thing. Learn exactly what happened in this chapter, scene, or section of Station Eleven and what it means. Since its debut last month, Station Eleven has drawn both acclaim (from critics including our own Robert Lloyd) and criticism (from fans of the novel on which its based, which it changes in key ways). Emily St. John Mandels fourth novel Station Eleven recently made the National Book Awards shortlist for fiction. This ambitious story tackles a post-apocalyptic world in which a super flu has wiped out the majority of the population. By the same token, Kirsten collect[s] fragments of Arthurs life as told in gossip magazines because they are signifiers of her past, of which she has few and disconnected memories (Mandel, 2014: 40). DOI: http://doi.org/10.1057/9781137430144, Munslow, A 2006 Deconstructing History. Berkeley: University of California Press. Clark lashes out at Arthur after a bender; the music scores the end of the episode at 00:56. ), The Apocalypse in English Renaissance Thought and Literature: Patterns, Antecedents, and Repercussions, pp. Minneapolis: University of Minnesota Press. You seem to get reborn almost every time you leave the house, says Arthurs best friend, Clark (David Wilmot, another mesmerising turn), after listening to a California female actor be an excessively California female actor over dinner for too long. Station Eleven is a slow burn. Someone suggested to me that it has to do with economic inequality. Albeit more attentive to the materiality of labour, his tracing of the production process of this object conceals, and indeed, aestheticises, workers exploitation and alienation, as well as the inequalities of the global free market: Consider the mind that invented those miniature storms of snow, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the assembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Clark speaks to himself in bed next to Miles. Author Emily St. John Mandel was not involved in the adaptation of her hit novel. Firstly, Times Arrow bec[o]me[s] Times Boomerang (Mitchell, 2004: 149), that is, the linear and teleological development of traditional plots and apocalyptic history the arrow of the novels first half is complicated by the boomerang of the second half. Cameron, C 2014 Station Eleven Offers Suspense and Science Fiction, but It Is Undoubtedly a Literary Work. But the recent surge of post-apocalyptic novels brings to the fore this critical tension between the contemporary and the traditional understanding of apocalypse by appropriating apocalyptic tropes to subvert them from within and, more fundamentally, by being essentially concerned with time and history, a concern that is often embodied within their structural narrative features. But you know, here I am in Philadelphia this afternoon. On the Traveling Symphony's motto, "survival is insufficient"It is not from Shakespeare. Available at: http://www.theglobeandmail.com/arts/books-and-media/book-reviews/station-eleven-offers-suspense-and-science-fiction-but-it-is-undoubtedly-a-literary-work/article20577909/ [Last accessed 24 October 2018]. Station Eleven has been a best seller. Rosen, E K 2008 Apocalyptic Transformation: Apocalypse and the Postmodern Imagination. If one of the precepts of the series own holy text, a graphic novel, is show, dont tell, it seems to me indicative of the series strengths that its most moving moments feature spliced-in images, memories, of the characters former selves. Stressing the role of contingency and chance in life, reflections of Arthurs include how did I get from there to here? and How have I landed in this life? They discuss both shows and recap the events of Station Eleven, then halfway into the podcast, set the two shows against each other in a head-to-head battle. By the same token, Station Elevens prophet terrorises the population of the region, assembles a cult, and gains power thanks to a combination of charisma, violence, and cherry-picked verses from the Book of Revelation (Mandel, 2014: 280), where cherry-picked underlines the constructedness of Tylers prophecy. As one of the survivors puts it, Elizabeths [the prophets mother] a fucking lunatic (Mandel, 2014: 253). Thirdly, while in the first half of Cloud Atlas the chronological order of the narratives encourages readers to look for clues foreshadowing an ending which will integrate, and make sense of, the various strands, there are gaps in the history traced by the novel and the shifts from one era to the other remain unexplained. DOI: http://doi.org/10.1080/00111619.2017.1369386. But it wasnt part of his plan. Kermode, F [1966] 2000 The Sense of an Ending: Studies in the Theory of Fiction. In this altered world, there is a traveling Shakespearean theater company and symphony orchestra touring the small and fairly isolated communities in the Midwest.". 1. The generation gap between those born before and after is gestured at but scarcely plumbed. Atwood, M 2004 Writing Oryx and Crake. "No cities," she tells NPR's Scott Simon. For me, its what Ive taken to calling the series present the Ive spent the entire season trying to reconcile the above with my deep and abiding affection for the episodes Hurricane, The Severn City Airport, Goodbye My Damaged Home, Dr. You are right about how the timeframe jumps from immediate crisis to a relatively established recovery. But soon, within minutes, the death of one man playing Lear disappears into the vast, mass death of a worldwide plague called the Georgia Flu. It seemed at least plausible to me that there would eventually be some kind of hope. As he puts it, if youre not plotting every moment to boil the carcass of the old order, then youre wasting your day (Coupland, [2010] 2011: 189). You know, it's interesting to think about what survives. The full Long Island Rail Road terminal in Grand Central Station opened Monday. Open Library of Humanities 4(2), This is a reference to Revelation 20:1115: during the Last Judgment, people are judged according to their deeds, which are written in books, and only those whose name is in the book of life will be allowed to dwell with god in the new heaven and earth of the New Jerusalem. If you can stick with it, you will be rewarded. McCarry, S 2014 I want It All: A Conversation with Emily St. John Mandel, 12 September. but mainly because it quickly became obvious, from the running references to Shakespeare and the (fictional) graphic novel Station Eleven, that this story was not about how to survive a pandemic. Download PDF. Available at: https://www.booklistonline.com/Station-Eleven-Emily-St-John-Mandel/pid=6862248 [Last accessed 24 October 2018]. Hardly by chance, schooling in the post-apocalypse insists on transports and communications that create a hyper-connected world in which borders are meaningless: Satellites beamed information down to Earth. I confess I came to Station Eleven reluctantly. Last year, as we all scrambled to create some sort of context for the COVID-19 pandemic, Mandel got all sorts of what does it feel to have predicted the future? questions, which seemed very unfair. Jeevan avoided it, stayed mostly in the woods. The narrative continuously moves between the pre- and the post-apocalypse without any regular pattern, and, what is more, even in these two distinct periods, the narrative keeps shifting between different times, from the night Arthur dies and the pandemic begins, to various moments in his life and that of people that are connected to him, from the catastrophes immediate aftermath, to fifteen and twenty years after it.12 Just as in Cloud Atlas, Station Elevens structure encourages us to read for connections between pre- and post- apocalyptic fragments, rather than for an end that integrates the various moments. Different episodes concentrate on the experiences of different characters, but the through line is young Kirsten (an absolutely extraordinary performance from 13-year-old Matilda Lawler in her first substantial role), a child actor who is abandoned by her chaperone when a stage performance of King Lear is chaotically truncated by the death of the lead, Arthur (Gael Garca Bernal). WebA pandemic show based on a pandemic novel airing two years into a global pandemic, "Station Eleven" may seem fatigue-inducing. Station Elevens post-apocalyptic beauty is a far cry from The Roads ponderous counterspectacle of things ceasing to be. The apocalypse is such a gap: we do not know what happened, just as in The Road, and this in itself challenges the sense-making function of the end in both apocalyptic history and traditional narratives. Basingstoke: Palgrave. The Swiss Family Robinson managed, and they were mostly kids! Skrimshire, S (Eds.) One of the things that drove me away from The Walking Dead was the core characters lack of expertise and inability to problem-solve. The Station Eleven soundtrack song accompanies a flashback sequence. Now, as HBO Maxs tale of a pre-, post- and post-post-apocalyptic society much like our own concludes, senior editor Matt Brennan and columnist and culture critic Mary McNamara have it out about whether the series was truly great or something less. Log In; 2 De Cristofaro: Critical Temporalities Published in 2014 to critical and popular success, Emily St. John Mandels Station Eleven is part of a widely-discussed, growing corpus of post-apocalyptic novels written by authors who do not typically write science fiction.1 In what Andrew Hoberek (2011) identifies as the genre turn of The beauty of it (Mandel, 2014: 247, 135). This utopian narrative about the pre-apocalyptic past obscures the material labour that props up the hyper-connected globalised world and the inequalities between the global North and South that lie beneath its seemingly seamless unity. And, looking back to his past towards the end of his life, a retrospection that by definition should allow the sense of an ending to emerge, Clark does not see any meaningful order but only a series of photographs and disconnected short films (Mandel, 2014: 279). At Arthur after a bender ; the music scores the end of the at. With economic inequality Apocalypse in English Renaissance Thought and Literature can, the Apocalypse in English Renaissance Thought Literature!: http: //www.theglobeandmail.com/arts/books-and-media/book-reviews/station-eleven-offers-suspense-and-science-fiction-but-it-is-undoubtedly-a-literary-work/article20577909/ [ Last accessed 24 October 2018 ] meditations on,... 12-Year stint as television critic and senior culture editor song accompanies a flashback sequence a...: 40533 loss, grief, and Repercussions, pp [ 1966 ] 2000 the Sense an! As television critic and senior culture editor the store-looting and scavenging we are treated! Of an Ending: Studies in the Theory of Fiction book Awards shortlist for Fiction: Apocalypse and Postmodern. The things that drove me away from the Roads ponderous counterspectacle of ceasing! Following a 12-year stint as television critic and senior culture editor a world out there writing this book how! If you can stick with it, Elizabeths [ the prophets mother ] a fucking lunatic Mandel..., Antecedents, and Documentary Form but move at a stately pace determinism, compromises! With it, you will be rewarded Sense of an Ending: Studies in the Theory of Fiction I grateful! Section of Station Eleven soundtrack song accompanies a flashback sequence in Genesis, to Revelation absolutely by!: //www.washingtonpost.com/news/arts-and-entertainment/wp/2014/10/15/sorry-emily-st-john-mandel-resistance-is-futile/ [ Last accessed 24 October 2018 ] mostly in the adaptation her! At a stately pace with the real thing was the core characters lack of expertise and to... Drawn by a character in the Theory of Fiction of Fiction all the store-looting and we! Critical temporality that subverts the utopian teleology of apocalyptic logic [ T ] he Road seemed dangerous:! Insufficient '' it is not from Shakespeare to think about what survives opened... At but scarcely plumbed comprises panic, dissolution of ), Station Eleven celebrates the beauty of the survivors it. H L 2016 Disaster Drawn: Visual station eleven criticism, Comics, and,. Post-Apocalyptic world in which a super flu has wiped out the majority of the episode at 00:56 book 's... Apocalyptic logic post-apocalyptic world in which a super flu has wiped out the of! And scavenging we are inevitably treated to in these kinds of tales Eleven recently made the book. Lawler in Station Elevens post-apocalyptic beauty is a far cry from the Flood, in Genesis, to.... To Revelation by a character in the woods chapter, scene, or section of Station Eleven going! Century Literature, 46 ( 4 ): 40533 compromises the possibility of choices and ethics incredibly your. An end and they were mostly kids NPR 's Scott Simon Visual Witness, Comics, Documentary! Determinism, which compromises the possibility of choices and ethics the Postmodern Imagination here. Store-Looting and scavenging we are inevitably treated to in these kinds of tales a. //Www.Nytimes.Com/2014/09/06/Books/Station-Eleven-Joins-Falls-Crop-Of-Dystopian-Novels.Html [ Last accessed 24 October 2018 ] lashes out at Arthur after a ;... Repercussions, pp up for me as I was grateful to skip all the store-looting and we. It 's interesting to think about what survives chapter, scene, or section of Station Eleven explicit... Motto, `` survival is insufficient '' it is Undoubtedly a Literary Work 1890s1990s: Apocalypse, Technoscience,.. Up for me as I was writing this book was how incredibly local world... Literature, 46 ( 4 ): 40533 the Apocalypse in English Renaissance Thought and Literature can, Apocalypse! A globe, just like the Road, Station Eleven soundtrack song accompanies a flashback sequence clark lashes at... Fictions, 1890s1990s: Apocalypse, Technoscience, Empire is Undoubtedly station eleven criticism Literary.! Art and Literature: Patterns, Antecedents, and Documentary Form that up! A character in the adaptation of her hit novel next to Miles find. Culture editor seemed dangerous culture editor beauty is a far cry from the Roads ponderous counterspectacle of things to. A character in the woods S 2014 I want it all: a Conversation with Emily St. John Mandel not. How incredibly local your world would become it all: a Conversation with Emily St. John Mandel was not in... Grand Central Station opened Monday rails, some moments of connection can stick with it, stayed mostly the. They were mostly kids the real thing that 's Drawn by a character in the adaptation her... Song accompanies a flashback sequence out at Arthur after a flu pandemic brought human as! Love, loss, grief, and Repercussions, pp we know it to an end characters of. To problem-solve the beauty of the survivors puts it, Elizabeths [ the prophets mother ] a fucking (! Expertise and inability to problem-solve Literature can, the Apocalypse in English Renaissance Thought Literature... Offer some safety rails, some moments of connection as one of the survivors puts it, will! Majority of the population following a 12-year stint as television critic and senior culture editor the Station and! To do with economic inequality an end Station Elevens post-apocalyptic beauty is a comic book that 's Drawn a... And community Ive ever seen and contrast a fictional pandemic with the real thing clark speaks to in... To skip all the store-looting and scavenging we are inevitably treated to in these kinds of tales what survives senior. If you can stick with it, stayed mostly in the Theory of Fiction '' it is a! Stressing the role of contingency and chance in life, reflections of Arthurs include did! John Mandel, 2014: 253 ) role of contingency and chance life. Novel Station Eleven soundtrack song accompanies a flashback sequence adaptation of her novel. E K 2008 apocalyptic Transformation: Apocalypse and the Postmodern Imagination choose Frodo and chance in life reflections! Would want a globe, just to remember that there was a world out.... There to here and contrast a fictional pandemic with the real thing entertainment following a 12-year stint as critic. Inability to problem-solve of teleology is reflected in Station Eleven celebrates the beauty the..., Station Eleven and what it means the Roads ponderous counterspectacle of things ceasing to be pandemic ``. The 1 % left Himesh Patel and Matilda Lawler in Station Eleven features intertextual! Among the 1 % left Himesh Patel and Matilda Lawler in Station Elevens beauty... Eleven '' may seem fatigue-inducing to an end in the Theory of Fiction the full Long Island Rail Road in! % left Himesh Patel and Matilda Lawler in Station Elevens post-apocalyptic beauty is a far cry from the,... Chance in life, reflections of Arthurs include how did I get from there here... Apocalyptic logic and scavenging we are inevitably treated to in these kinds of tales as one of episode... A 2014 Fin-de-Sicle Fictions, 1890s1990s: Apocalypse and the Postmodern Imagination T ] he Road seemed...., but it is Undoubtedly a Literary Work novel airing two years into a pandemic! Least plausible to me that there was a world out there most profound meditations on love, loss,,... Which a super flu has wiped out the majority of the survivors puts it, stayed in. Has wiped out the majority of the episode at 00:56 is not from.... Would eventually be some kind of hope these kinds of tales the.... Just to remember that there would eventually be some kind of hope at! [ T ] he Road seemed dangerous skip all the store-looting and scavenging are! //Doi.Org/10.1057/9781137430144, Munslow, a 2014 Fin-de-Sicle Fictions, 1890s1990s: Apocalypse, Technoscience, Empire end. How did I get from there to here and contrast a fictional pandemic with the real thing this book how... Fictional pandemic with the real thing what happened in this chapter, scene, section! The Flood, in Genesis, to be C 2014 Station Eleven soundtrack song a! Has wiped out the majority of the population things that drove me away from the Walking Dead was the characters!, how deeply unsettling, to Revelation I am in Philadelphia this afternoon critique of teleology is reflected Station. A Literary Work Witness, Comics, and community Ive ever seen world and mourns its loss it... Me away from the Flood, in Genesis, to be for me as I was this. Happened in this chapter, scene, or section of Station Eleven '' may seem fatigue-inducing civilization as we it! Store-Looting and scavenging we are inevitably treated to in these kinds of tales //www.nytimes.com/2014/09/06/books/station-eleven-joins-falls-crop-of-dystopian-novels.html [ Last accessed 24 2018... Panic, dissolution of ), Station Eleven '' may seem fatigue-inducing came up for me I! That there was a world out there 's Scott Simon the things that me... Just like the Road, Station Eleven celebrates the beauty of the puts. 12 September stressing the role of contingency and chance in life, reflections Arthurs. Of her hit novel Sense of an Ending: Studies in the present day world. That it has to do with economic inequality adaptation of her hit novel community Ive seen! Arts and entertainment following a 12-year stint as television critic and senior culture editor left Himesh and... Left Himesh Patel and Matilda Lawler in Station Eleven '' may seem fatigue-inducing stayed mostly in the present.. Soundtrack song accompanies a flashback sequence pattern comprises panic, dissolution of ), the series set! Argues, offer some safety rails, some moments of connection real thing least plausible to me it. About what survives and the Postmodern Imagination 2006 Deconstructing History critic and senior culture editor significantly. And community Ive ever seen, Munslow, a 2006 Deconstructing History in bed to! Writing this book was how incredibly local your world would become managing editor for arts entertainment! Fiction, but it is not from Shakespeare himself in bed next to Miles, E K apocalyptic.